INTERNATIONAL MUSIC COMPETITION FOR SOLOISTS AND CHAMBER GROUPS


INTERNATIONAL MUSIC COMPETITION FOR SOLOISTS AND CHAMBER GROUPS

Application Deadline
July 31st 2022

The Competition takes place from
September 12th to 17th 2022

Auditori Claror,
Centre Cultural i de Congresos Lauredià
Sant Julià de Lòria, Principat d'Andorra

Application Deadline July 31st 2022

The Competition takes place from
September 12th to 17th 2022

Auditori Claror, Centre Cultural i de Congresos Lauredià
Sant Julià de Lòria, Principat d'Andorra

Normes generals

  • The competition is open to musicians from all countries who have not reached the age of 36 on the date of registration; for ensembles it is considered the average age of the members.
  • Soloists and chamber groups take part in the competition in one category.
  • It is possible to apply more than once in the same edition, provided the application is made with different musical formations (e. g. soloist, duo, trio…)
  • The competition consists of Preliminary Round, Semifinal Round A, Semifinal Round B and Final Round. All candidates selected during the Preliminary Round are required to play in both of the Semifinal Rounds (Semifinal Round A and Semifinal Round B).
  • Due to logistics, organ and two pianos cannot take part in this edition of the competition; likewise, due to artistic choices, electronic and amplified instruments and ‘prepared piano’ cannot participate.
  • The competition does not provide for the accompanying pianist: musicians, who want to apply as Soloist, must perform only pieces for solo instrument, without accompaniment, in all rounds of the competition.
  • Candidates, who need an accompanying instrument (e. g. piano), must register as a Duo and will be judged as a Duo, since in case of victory, they will have to perform in the concert-prizes in the same musical ensemble awarded by the Jury.
  • In the Preliminary Round and Semifinal Rounds it is allowed to perform a single piece or several pieces, including single movements or excerpts from major works.
  • Only in the Final Round, Suite and Sonata-Form-pieces (Sonata, Trio, Quartet…) must be performed in their integrity.
  • Transcriptions and arrangements are allowed.
  • Performance by heart is not required. The competition does not provide for a page-turner, for which candidates must provide for themselves; iPads and Tablets are allowed.
  • Competitors must present the requested personal information and to be up to date with the payment of the registration fees. The lack of those may at any time invalidate the participation in the competition, and, subsequently, the prize.
  • Competitors renounce without objection their rights to recordings and pictures made during the competition and the assigned concerts.
  • En cas d’esdeveniments inesperats, la direcció es reserva el dret de posposar o cancel·lar el concurs. En cas de cancel·lació, es retornaran les taxes d’inscripció.

Normes generals

Registrations must be received no later than July 31st 2022.

Candidates must complete the application-form, available on the website www.gpmlauredia.com by clicking on the APPLY icon. Here candidates will be asked for:

  • The personal data of each musician (ensembles must insert one single telephone number and e-mail address); Non-EU citizens are required to add more information about their travel route.
  • A copy of a valid identity document for each performer;
  • A brief resume (curriculum vitae) of the soloist or the ensemble (preferably as a group);
  • An artistic picture of the soloist or the ensemble;
  • The musical program for all Rounds, including Preliminary Round. (The program for Semifinal Round A, Semifinal Round B and Final Round can be modified by September 10th2022).
  • The link of the performance uploaded on YouTube as unlisted. The video (or playlist) must contain a freely chosen musical program lasting no more than 20 minutes(in case of longer videos the Jury will listen to the first 20 minutes of the video). It can contain one or more works, including single movements or pieces extracted from larger works, also recorded in different occasions;
  • The receipt of the registration fee of €35.00 for each musician (ensembles are asked to send all of the fees in a single operation) to be paid to:

 

IBAN: IT62O0503411702000000005262

SWIFT: BAPPIT21002

ACCOUNT HOLDER: STEINWAY SOCIETY

AT: BANCA POPOLARE DI MILANO

OBJECT OF PAYMENT: COMPETITION FEE 2022 SURNAME NAME of the    candidate sending the fee

Les comissions bancàries les paguen els candidats no s’accepten quantitats incomplertes.

En cas de retirada del candidat, la quota d’inscripció no serà reemborsable.

 

A maximum of 50 candidates will be selected between soloists and chamber groups.

The selected candidates will be required to play in both of the Semifinal Rounds.

Candidates will receive an e-mail with the results of the Preliminary Round around August 12th  2022 and the time of the auditions for both Semifinal Rounds.

Only the names of the candidates admitted to the second  phase will be published in the website.

The Jury will be divided into two groups to hear the candidates perform the entire musical repertoire proposed in the competition.

The candidates will play on two different occasions, in different halls:

– Semifinal Round A: a free program lasting no more than 20 minutes The repertoire must be different from the Preliminary Round and from the Semifinal Round B.

– Semifinal Round B: a free program lasting no more than 20 minutes. The repertoire must be different from the Preliminary Round and from the Semifinal Round A.

The order of the performance will be determined by the competition organizers.

(Half of the candidates will play the program of Semifinal Round A first and half will play the program of Semifinal Round B first.)

In both Semifinal Rounds it is possible to perform one or more pieces; single movements and extracts from larger composition can be played, too.


 

For the Final Round, the Jury will be reunited and will listen to a maximum of 6 candidates between soloists and chamber groups admitted to the Final Round.

Final Round: a repertoire lasting no more than 30 minutes freely selected by the candidates among all the pieces performed in the previous rounds (Preliminary Round and both Semifinal Rounds).

In the Final Round, it is allowed to perform extracts from larger composition, but Suites and Sonata-Form-pieces (e.g. Trio, Quartet..) must be played in their entirety.

The Final Round will be recorded by video and streamed on YouTube, therefore concert attire is required.

PRIMER PREMI

Candidates who obtain the highest number of preferences, win the First Prize which consists of 3 concerts for an economic value of  €4000.00.

During the Award Ceremony, candidates will be given €1000.00 and they will receive other €3000.00 on the occasion of the different concert-prizes.

SEGON PREMI

Candidates, who obtain the second highest number of Jury preferences, win  the Second Prize, which consists of one concert for an economic value of € 2000.00.

During the award ceremony candidates will be given €1000.00 and they will receive other €1000.00 on the occasion of the concert-prize.

TERCER PREMI

Candidates, who obtain the third highest number of Jury preferences, win the  Third Prize with an economic value of € 1000.00.


 

The economic value of the prizes includes the travel expenses of the concerts awarded to the winners: travel expenses are not covered by the organizers.

Winners of concert-prizes undertake to perform in the concerts-prizes the same repertoire, for which they were awarded in the competition, unless otherwise agreed with the artistic direction.

By accepting the prize, winners guarantee to take on the concerts: failure to hold the concert will result in the loss of the remaining part of the prize money and the prize concerts can be assigned to other winners.

The Artistic Director reserves the right to assign ex aequo prizes and to divide or modify the economic value of the prizes.

The most outstanding candidates suggested by the jury may be recommended to international concert seasons and management agencies to promote their concert activity and career.

El Jurat està format per músics de renom artístic, professors i musicòlegs.

The decisions of the Jury are final. The Jury reserves the right to not award the  Prizes if it deems the candidates not deserving.

In case the jury member is related to, or in any form of teaching relationship with  a candidate, they must abstain from voting.

It is forbidden to communicate with the members of the Jury until the end of the  competition.

Jury Members

  Sol·licitud i Ronda Preliminar

Registrations must be received no later than July 31st 2022.

Candidates must complete the application-form, available on the website www.gpmlauredia.com by clicking on the APPLY icon. Here candidates will be asked for:

  • The personal data of each musician (ensembles must insert one single telephone number and e-mail address); Non-EU citizens are required to add more information about their travel route.
  • A copy of a valid identity document for each performer;
  • A brief resume (curriculum vitae) of the soloist or the ensemble (preferably as a group);
  • An artistic picture of the soloist or the ensemble;
  • The musical program for all Rounds, including Preliminary Round. (The program for Semifinal Round A, Semifinal Round B and Final Round can be modified by September 10th 2022).
  • The link of the performance uploaded on YouTube as unlisted. The video (or playlist) must contain a freely chosen musical program lasting no more than 20 minutes (in case of longer videos the Jury will listen to the first 20 minutes of the video). It can contain one or more works, including single movements or pieces extracted from larger works, also recorded in different occasions;
  • The receipt of the registration fee of €35.00 for each musician (ensembles are asked to send all of the fees in a single operation) to be paid to:

IBAN: IT62O0503411702000000005262

SWIFT: BAPPIT21002

ACCOUNT HOLDER: STEINWAY SOCIETY

AT: BANCA POPOLARE DI MILANO

OBJECT OF PAYMENT: COMPETITION FEE 2022 SURNAME NAME of the candidate sending the fee 

Les comissions bancàries les paguen els candidats no s’accepten quantitats incomplertes.

En cas de retirada del candidat, la quota d’inscripció no serà reemborsable.

A maximum of 50 candidates will be selected between soloists and chamber groups.

The selected candidates will be required to play in both of the Semifinal Rounds.

Candidates will receive an e-mail with the results of the Preliminary Round around August 12th  2022 and the time of the auditions for both Semifinal Rounds.

Only the names of the candidates admitted to the second  phase will be published in the website.

 

Semifinal Rounds and Final Round

The Jury will be divided into two groups to hear the candidates perform the entire musical repertoire proposed in the competition.

The candidates will play on two different occasions, in different halls:

Semifinal Round A: a free program lasting no more than 20 minutes The repertoire must be different from the Preliminary Round and from the Semifinal Round B.

Semifinal Round B: a free program lasting no more than 20 minutes. The repertoire must be different from the Preliminary Round and from the Semifinal Round A.

The order of the performance will be determined by the competition organizers.

(Half of the candidates will play the program of Semifinal Round A first and half will play the program of Semifinal Round B first.)

In both Semifinal Rounds it is possible to perform one or more pieces; single movements and extracts from larger composition can be played, too.

 


 

For the Final Round, the Jury will be reunited and will listen to a maximum of 6 candidates between soloists and chamber groups admitted to the Final Round.

Final Round: a repertoire lasting no more than 30 minutes freely selected by the candidates among all the pieces performed in the previous rounds (Preliminary Round and both Semifinal Rounds).

In the Final Round, it is allowed to perform extracts from larger composition, but Suites and Sonata-Form-pieces (e.g. Trio, Quartet..) must be played in their entirety.

The Final Round will be recorded by video and streamed on YouTube, therefore concert attire is required.

Premis

PRIMER PREMI

Candidates who obtain the highest number of preferences, win the First Prize which consists of 3 concerts for an economic value of  €4000.00.

During the Award Ceremony, candidates will be given €1000.00 and they will receive other €3000.00 on the occasion of the different concert-prizes.

SEGON PREMI

Candidates, who obtain the second highest number of Jury preferences, win the Second Prize, which consists of one concert for an economic value of € 2000.00.

During the award ceremony candidates will be given €1000.00 and they will receive other €1000.00 on the occasion of the concert-prize.

TERCER PREMI

Candidates, who obtain the third highest number of Jury preferences, win the Third Prize with an economic value of € 1000.00.

 


 

The economic value of the prizes includes the travel expenses of the concerts awarded to the winners: travel expenses are not covered by the organizers.

Winners of concert-prizes undertake to perform in the concerts-prizes the same repertoire, for which they were awarded in the competition, unless otherwise agreed with the artistic direction.

By accepting the prize, winners guarantee to take on the concerts: failure to hold the concert will result in the loss of the remaining part of the prize money and the prize concerts can be assigned to other winners.

The Artistic Director reserves the right to assign ex aequo prizes and to divide or modify the economic value of the prizes.

The most outstanding candidates suggested by the jury may be recommended to international concert seasons and management agencies to promote their concert activity and career.

 

Jurat

El Jurat està format per músics de renom artístic, professors i musicòlegs.

Les decisions del Jurat són inapel·lables. El Jurat es reserva el dret de no atorgar els premis si considera que els candidats no són mereixedors.

En el cas de que les relacions didàctiques o l'afinitat de parentiu amb els candidats, els jurats s'ha d'abstenir de votar.

No està permès comunicar-se amb els membres del Jurat fins al final del concurs.

 

Jury Members – Edition 2022

Giuliano Cavaliere

Gerard Claret

Federico Gianello

Javier López Jaso

Adrian Pinzaru

Enrique Sanz-Burguete

Jorge Romero

 

We are excited to welcome you to the second edition of Gran Premi Musical Lauredià!

This international musical competition open to soloists and chamber groups is an innovative initiative that aims to offer all selected musicians the opportunity to express their musicality and artistic skills in two different occasions, each lasting about 20 minutes, before being selected for the Final Round.
In this way, we want to create a constructive competitive atmosphere where musicians have the opportunity to know each other and establish contacts in the modern context of the Auditori Claror in Sant Julià de Lòria, in the beautiful Pricipat d’Andorra.

Federico Gianello

Artistic director 


 

Renowned and esteemed piano concert player, between 1998 and 2004 Federico Gianello obtained first prizes at the international piano competitions J. Brahms of Klagenfurt, E. Grieg of Oslo, S. Stancic of Zagreb, Premi Principat de Andorra, Concurso Internacional de Piano Compositores d’Espana de Madrid, Giovanni Battista Viotti di Vercelli, City of Pinerolo, City of Marsala and Alfonso Rendano Award of Rome.

He collaborates as a guest artist with Orquestra Sinfonica de Madrid, Greiz Symphoniker, West Czech Symphony, JSO Weimar, Filarmonica HRTV of Zagreb, Dubrovnik Symphony Orchestra, Philharmonic Orchestra of the Arena of Verona, I Virtuosi Italiani, GOG of Genoa, Chamber Orchestra of Padua and Veneto, and for chamber music with the violinists Noah Bendix-Balgley and Simone Bernardini (Berliner Philharmoniker), Glauco Bertagnin, the violists Ania Serova, Alfredo Zamarra, and with the Zagreb Quartet.

He has made radio and television recordings for RAI Radiotelevisione Italiana, Bayerische Rundfunk and Radio France.

He studied with Lazar Berman, Alexander Lonquich and Gerlinde Otto, graduating from the Hochschule F. Liszt; decisive meetings with Martha Argerich, Aldo Ciccolini, Elisabeth Leonskaja, Louis Lortie and Maurizio Pollini.

He taught piano at the Musik Hochschule Franz Liszt in Weimar and chairs the Steinway Society in Verona.

Director Amici della Musica di Verona and of the Società Letteraria di Verona, he is artistic director of the new AMV Concert Award and of the Gran Premi Musical Laurediá to the Principat d’Andorra. Federico Gianello is a Steinway Artist testimonial.

Benvinguts

this is the start of a new step: the “Gran Premi Musical Lauredià” will see musicians passing through the stage of the Cultural and Congress Center of Sant Julià de Lòria, fighting for the prizes awarded by the contest, from October 12 until October 17.

Una part de les proves seran presencials i seran retransmeses mitjançant les noves tecnologies, per tal que l’esdeveniment arribi a tothom i en puguin gaudir de l’art que desprenen tots i cadascun dels participants.

Sant Julià de Lòria impulsa una nova iniciativa cultural que mereix un llarg recorregut, i que desitgem aporti l’art a cadascú dels ciutadans més enllà del propi concurs.

Desitjant que disfruteu de la bona música us dono doncs la benvinguda.

Roser Palomero Vendrell

President of the Competition

Benvolguts amants de la música,

És un plaer adreçar-vos aquestes paraules de benvinguda al Gran Premi Musical Lauredià.

Entre els dies 12 i 17 d’octubre viurem una competició musical oberta a totes les modalitats d’instruments i a intèrprets de tot el món. La vocació d’aquest concurs és obrir Sant Julià de Lòria a l’esfera musical internacional.

En harmonia amb les formes de treballar que predominen avui dia, en aquesta edició les primeres seleccions s’efectuaran en línea. Els guanyadors finals es desplaçaran fins a Sant Julià de Lòria per competir presencialment a l’auditori Claror del Centre cultural i de congressos lauredià.

El jurat haurà de designar el guanyador de la competició que obtindran, a més del guardó, un premi en metàl·lic.

Aquest premi s’emmarca en l’esforç que la parròquia de Sant Julià de Lòria vol fer per obrir-se a l’esfera internacional en matèria cultural. De tot el món podem aprendre maneres d´ entendre i de fer música. Aquesta és un factor de unió entre cultures; el llenguatge musical és universal. Amb la música ens podem entendre i de retruc obrir les fronteres intel·lectuals de cada un de nosaltres.

Des del Comú de Sant Julià de Lòria esperem que aquest Gran Premi Musical Lauredià 2021 vingui seguit d’altres edicions i es consolidi en el calendari d’actes de la parròquia laurediana.

A tots els lauredians, als que en seguireu via telemàtica o presencialment i als participants del Gran Premi Musical Lauredià, us desitjo que gaudiu de l’experiència que aquesta gran trobada musical representarà per a tots.

Josep Majoral Obiols

Cònsol Majoral 

We are excited to welcome you to the second edition of Gran Premi Musical Lauredià!

This international musical competition open to soloists and chamber groups is an innovative initiative that aims to offer all selected musicians the opportunity to express their musicality and artistic skills in two different occasions, each lasting about 20 minutes, before being selected for the Final Round.
In this way, we want to create a constructive competitive atmosphere where musicians have the opportunity to know each other and establish contacts in the modern context of the Auditori Claror in Sant Julià de Lòria, in the beautiful Pricipat d’Andorra.

Federico Gianello

Artistic director 


Renowned and esteemed piano concert player, between 1998 and 2004 Federico Gianello obtained first prizes at the international piano competitions J. Brahms of Klagenfurt, E. Grieg of Oslo, S. Stancic of Zagreb, Premi Principat de Andorra, Concurso Internacional de Piano Compositores d’Espana de Madrid, Giovanni Battista Viotti di Vercelli, City of Pinerolo, City of Marsala and Alfonso Rendano Award of Rome.

He collaborates as a guest artist with Orquestra Sinfonica de Madrid, Greiz Symphoniker, West Czech Symphony, JSO Weimar, Filarmonica HRTV of Zagreb, Dubrovnik Symphony Orchestra, Philharmonic Orchestra of the Arena of Verona, I Virtuosi Italiani, GOG of Genoa, Chamber Orchestra of Padua and Veneto, and for chamber music with the violinists Noah Bendix-Balgley and Simone Bernardini (Berliner Philharmoniker), Glauco Bertagnin, the violists Ania Serova, Alfredo Zamarra, and with the Zagreb Quartet.

He has made radio and television recordings for RAI Radiotelevisione Italiana, Bayerische Rundfunk and Radio France.

He studied with Lazar Berman, Alexander Lonquich and Gerlinde Otto, graduating from the Hochschule F. Liszt; decisive meetings with Martha Argerich, Aldo Ciccolini, Elisabeth Leonskaja, Louis Lortie and Maurizio Pollini.

He taught piano at the Musik Hochschule Franz Liszt in Weimar and chairs the Steinway Society in Verona.

Director Amici della Musica di Verona and of the Società Letteraria di Verona, he is artistic director of the new AMV Concert Award and of the Gran Premi Musical Laurediá to the Principat d’Andorra. Federico Gianello is a Steinway Artist testimonial.

Benvinguts

Comencem una nova etapa, el “Gran Premi Musical Lauredià”, que des del 12 d’octubre i durant sis dies veurà passar per l’escenari del Centre Cultural i Congressos de Sant Julià de Lòria músics que lluitarant per els premis amb que s’ha dotat el concurs.

Una part de les proves seran presencials i seran retransmeses mitjançant les noves tecnologies, per tal que l’esdeveniment arribi a tothom i en puguin gaudir de l’art que desprenen tots i cadascun dels participants.

Sant Julià de Lòria impulsa una nova iniciativa cultural que mereix un llarg recorregut, i que desitgem aporti l’art a cadascú dels ciutadans més enllà del propi concurs.

Desitjant que disfruteu de la bona música us dono doncs la benvinguda.

Roser Palomero Vendrell

President of the Competition

Benvolguts amants de la música,

És un plaer adreçar-vos aquestes paraules de benvinguda al Gran Premi Musical Lauredià.

Entre els dies 12 i 17 d’octubre viurem una competició musical oberta a totes les modalitats d’instruments i a intèrprets de tot el món. La vocació d’aquest concurs és obrir Sant Julià de Lòria a l’esfera musical internacional.

En harmonia amb les formes de treballar que predominen avui dia, en aquesta edició les primeres seleccions s’efectuaran en línea. Els guanyadors finals es desplaçaran fins a Sant Julià de Lòria per competir presencialment a l’auditori Claror del Centre cultural i de congressos lauredià.

El jurat haurà de designar el guanyador de la competició que obtindran, a més del guardó, un premi en metàl·lic.

Aquest premi s’emmarca en l’esforç que la parròquia de Sant Julià de Lòria vol fer per obrir-se a l’esfera internacional en matèria cultural. De tot el món podem aprendre maneres d´ entendre i de fer música. Aquesta és un factor de unió entre cultures; el llenguatge musical és universal. Amb la música ens podem entendre i de retruc obrir les fronteres intel·lectuals de cada un de nosaltres.

Des del Comú de Sant Julià de Lòria esperem que aquest Gran Premi Musical Lauredià 2021 vingui seguit d’altres edicions i es consolidi en el calendari d’actes de la parròquia laurediana.

A tots els lauredians, als que en seguireu via telemàtica o presencialment i als participants del Gran Premi Musical Lauredià, us desitjo que gaudiu de l’experiència que aquesta gran trobada musical representarà per a tots.

Josep Majoral Obiols

Cònsol Majoral 

Travel to Andorra

  • The Principat d’Andorra can be easily reached from both Barcelona (Spain) and Toulouse (France).

https://www.andorrabybus.com/en

https://www.andorradirectbus.es/en

  • Us recordem que porteu el passaport per creuar la frontera (per als ciutadans de la Unió Europea, el DNI també és vàlid).
  • El Principat d’Andorra és un lloc molt segur. La llengua més parlada és el català, però una gran part de la població parla francès, castellà i anglès. La moneda utilitzada és l'euro.
  • Andorra is a low contagion country of Covid virus thanks to the strict security measures put in place and the collaboration of citizens and guests. Among these the obligatory use of the mask in public places. Nonetheless, to cross the border it is sufficient to have the same health certifications that allow you to travel by plane.
  • Candidates, who would want to travel with expensive instruments, are highly recommended to read the following link and fill in the required forms needed at the border: 

https://www.ccis.ad/quadern-ata/

Travel to Andorra

  • The Principat d’Andorra can be easily reached from both Barcelona (Spain) and Tou louse (France).

https://www.andorrabybus.com/en

https://www.andorradirectbus.es/en

  • Us recordem que porteu el passaport per creuar la frontera (per als ciutadans de la Unió Europea, el DNI també és vàlid).
  • El Principat d’Andorra és un lloc molt segur. La llengua més parlada és el català, però una gran part de la població parla francès, castellà i anglès. La moneda utilitzada és l'euro.
  • Andorra is a low contagion country of Covid virus thanks to the strict security measures put in place and the collaboration of citizens and guests. Among these the obligatory use of the mask in public places. Nonetheless, to cross the border it is sufficient to have the same health certifications that allow you to travel by plane.
  • Candidates, who would want to travel with expensive instruments, are highly recommended to read the following link and fill in the required forms needed at the border:

https://www.ccis.ad/quadern-ata/

Finalists:

 1st Prize Ex Aequo – Moser String Quartett

Kanon Miyashita, violin
Patricia Muro, violin
Ariadna Bataller, viola
Lea Galasso, cello

1st Prize Ex Aequo – D’Takitó Jam Duo

Sergio Escalera Soria, piano
Gervasio Tarragona Valli, clarinet 

2nd Prize Ex Aequo – Lev Davydov, piano

2nd Prize Ex Aequo – Mikail Kazakov, saxophone

3rd Prize Ex Aequo – Alessandra Afanasyeva, violin

Other Finalists:

Grégoire Torossian, violino

Miguel Almeida, flute

Vladimir Avdeichev, accordion

Jury:

Enrique Sanz-Burguete, Jury Chairman

Federico Gianello

Gerard Claret

Miriam Manubens

Albert Llanas

Finalists:

 1st Prize Ex Aequo – Moser String Quartett

Kanon Miyashita, violin
Patricia Muro, violin
Ariadna Bataller, viola
Lea Galasso, cello

1st Prize Ex Aequo – D’Takitó Jam Duo

Sergio Escalera Soria, piano
Gervasio Tarragona Valli, clarinet 

2nd Prize Ex Aequo – Lev Davydov, piano

2nd Prize Ex Aequo – Mikail Kazakov, saxophone

3rd Prize Ex Aequo – Alessandra Afanasyeva, violin

Grégoire Torossian, violino

Miguel Almeida, flute

Vladimir Avdeichev, accordion

Jury:

Enrique Sanz-Burguete, Jury Chairman

Federico Gianello

Gerard Claret

Miriam Manubens

Albert Llanas

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Ubicació
Sant Julià de Lòria, Andorra

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